RODE FUZZMEASURE REVIEW DRIVERS

Now comes the time for the back-panel control. Then, the high-value capacitors and inductors needed in a passive crossover aren't inexpensive, so the componentry needed for active filtering and a second power-amp channel may potentially cost less. Moreover, it is possible that Avantone's decision to go with a passive crossover is a more expensive option than full-fat active. This is because, in a wide variety of technical respects, full-fat active speakers tend to behave fundamentally different to passive speakers and these differences express themselves subjectively, so a full-fat active Avantone CLA-10A would never have sounded quite right. But actually, in context of creating an active Avantone CLA-10A that sounds very close to its passive sibling (by extension to a passive NS10), going to a 'full-fat' active route with twin power amps and line-level filters might have been problematic. Now you may think initially that the use of one power amp channel with a passive crossover will be a bit of a cheat.

RODE FUZZMEASURE REVIEW DRIVERS

It is an active monitor that incorporates power amplification but it has only one amp channel (a Class-A/B design rated at a healthy 200W), the output of which will be connected to both drivers via a conventional passive crossover network. That isn't the case with the Avantone CLA-10A. In the world of active monitors, it is largely expected that each driver, most often in terms of nearfield monitors, a bass/mid unit and a tweeter will be connected to a dedicated power amp channel with the necessary low-pass and high-pass crossover functions managed by the upstream filters operating at line level.

Yes, it is 'the white cone in the black box'.

There is a classic passive monitor that is widely used today and easily recognizable too, however, it is no longer in production and it's the model Avantone has mimicked for their Avantone CLA-10. The advances in speaker cone technology and, especially, ribbon tweeter design have rendered the classic monitor market redundant. Powered monitors have all but ended the content of passive designs in pro-audio over the last two decades. There are many reasons for that, not least of which is the dominance of active designs with built-in amps. But what is uncommon is the cloning of classic monitors. Eventually you'll lose count of the '73-style mic preamps, 76-style limiters, and the '2A-style compressors that have popped up in the market, and most of them are excellent emulations of vintage kit. White cone, black box, high-range frequency - it isn't the world's best but it is known as the world's best reference, the sound that creates hits.Д¬arbon copies of the classic gear are very common in pro-audio. Now, the world has finally gotten what it has always been asking - an active powered version - the Avantone CLA-10A Studio Monitors. A major amount of design work and detailing have finally made the 'white cone' monitors available for everyone. Now, everyone can easily mix on the monitors that define 'the hitmaker sound'.

The starter pack for entrants include essentials like templates for scripting.Avantone Pro, in conjunction with the skills and expertise of legendary mixer Chris Lord Alge have blessed the industry with one of the most faithful reproductions of the world's most iconic studio monitors. Both must also begin and end with the official My RГDE Reel 2019 Title Card. The rules for the competition are simple: Make a short film under 3 minutes (but no less than 60 seconds) using RГDE gear, film Behind-the-scenes footage and upload both on their website. There is no fee to enter the competition, but rules stipulate that at least one RГDE product must be have been used in the making of the film. When it began in 2014, that number was 1100. My RГDE Reel receives over 14,000 films from 94 countries. RГDE came into being in 1990 under Freedman Electronics and has since established itself as a leading industry voice. The judges this year are short filmmaker and Film Riot creator Ryan Connolly, Beyond The Trailer creator Grace Randolph, and YouTuber and 2015 My RГDE Reel winner Dan Mace. This time with over $1,000,000 worth of prizes. Australian audio company RГDE is coming back with My RГDE Reel Short Film Competition for its sixth edition.

Rode fuzzmeasure review